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By releasing objects from their everyday functionality, I use the language of the domestic and decorative to explore feminine narratives. The objects, like people, are often marked by their interaction with others, holding meanings and histories imbued to them that sometimes are apparent, and other times are subtly felt. Taking them away from their mass-produced origins by deconstructing them, I then reassemble them into sculptural work that feels familiar through materiality, yet curious through its transfiguration, creating dream-like assemblages for the viewer to experience and reflect on.
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